Deodato’s Knights of Fantasy, released in 1979, contains trace elements of the Brazilian producer and composer’s fusion persona while melding them with disco and lite funk — as many other jazzmen were also doing at the time, from Lonnie Linston Smith to the Crusaders.
The album is a thoroughly kitschy sci-fi affair with some very fine playing and horn and string arrangements, particularly on the bass- and ARP-driven “Space Dust/Sherlock,” which goes on for nearly eight minutes. Here, funk grooves are allowed to find their way and wind out while a popping bassline holds down the fort even as Deodato goes ape on the synth for his wildly improvisational solo. “Shazam” is another case in point, though it contains some smoking
Brazilian polyrhythms undercutting the basic disco funk groove and a slight riff cop from Talking Heads’ “Life During Wartime.” The weirdest thing here is one of Deodato’s trademarks — taking classical themes and weaving them together in some “futuristic” way. In this case it’s Bach, as he combines the composer’s Jesu, Joy of Man’s Desiring with Andre Popp’s “Love Is Blue” (a huge easy listening hit in the 1960s by Paul Mauriat & His Orchestra) and his own “Whistle Bump”!
The title track has a killer guitar solo by John Tropea.